MAUD to AMR Converter

MAUD is an audio file format developed by MacroSystem for the Commodore Amiga platform, introduced in the early 1990s as part of their digital video and audio production tools. Built on the Amiga IFF (Interchange File Format) chunk architecture, MAUD files organize data into clearly delineated chunks — MHDR for the header, MDAT for sample data, and optional annotation chunks for metadata. The format supports mono and stereo layouts with bit depths of 8 or 16 bits and sample rates up to 48 kHz, which represented professional-grade specifications on Amiga hardware. Both signed linear PCM and A-law/mu-law encodings are available, offering a choice between fidelity and file size. MAUD saw primary use in the Amiga video production community, where MacroSystem Retina and VLab Motion boards demanded synchronized audio that the standard 8SVX format could not deliver. Conversion support exists today through SoX and libsndfile, ensuring vintage Amiga productions remain recoverable. Three distinct advantages stand out: clean IFF-based structure that any chunk-aware parser can navigate, 16-bit stereo capability ahead of typical Amiga audio, and lightweight overhead that left maximum CPU headroom for video rendering.

AMR (Adaptive Multi-Rate) is a compressed audio format optimized for speech, standardized by the European Telecommunications Standards Institute and adopted as a mandatory codec for GSM and 3G mobile networks. The codec dynamically switches between eight bit rates — from 4.75 to 12.2 kbps — depending on network conditions and background noise levels. When link quality drops, the encoder shifts to a lower rate, trading marginal clarity for transmission reliability. This adaptive mechanism is defined by the 3GPP specifications and represents one of the most widely deployed voice codecs globally, used in billions of mobile calls. The primary advantage is compression efficiency: one minute of AMR audio at 12.2 kbps occupies roughly 90 KB, practical for voice memos, voicemail, and MMS on bandwidth-constrained networks. Another benefit is built-in voice activity detection and comfort noise generation, reducing transmission during silence. While AMR is unsuitable for music due to its narrow bandwidth (300-3400 Hz), it excels at delivering intelligible speech under challenging network conditions.