MAUD to WAV Converter

MAUD is an audio file format developed by MacroSystem for the Commodore Amiga platform, introduced in the early 1990s as part of their digital video and audio production tools. Built on the Amiga IFF (Interchange File Format) chunk architecture, MAUD files organize data into clearly delineated chunks — MHDR for the header, MDAT for sample data, and optional annotation chunks for metadata. The format supports mono and stereo layouts with bit depths of 8 or 16 bits and sample rates up to 48 kHz, which represented professional-grade specifications on Amiga hardware. Both signed linear PCM and A-law/mu-law encodings are available, offering a choice between fidelity and file size. MAUD saw primary use in the Amiga video production community, where MacroSystem Retina and VLab Motion boards demanded synchronized audio that the standard 8SVX format could not deliver. Conversion support exists today through SoX and libsndfile, ensuring vintage Amiga productions remain recoverable. Three distinct advantages stand out: clean IFF-based structure that any chunk-aware parser can navigate, 16-bit stereo capability ahead of typical Amiga audio, and lightweight overhead that left maximum CPU headroom for video rendering.

WAV (Waveform Audio File Format) is an uncompressed audio container jointly developed by Microsoft and IBM, first published in August 1991 alongside Windows 3.1. Built on the Resource Interchange File Format (RIFF), WAV stores audio data — most commonly as linear pulse-code modulation (LPCM) — together with metadata describing sample rate, bit depth, and channel count. This straightforward structure has made WAV the de facto standard for uncompressed audio on Windows and a universally accepted interchange format across virtually every operating system, audio editor, and media player in existence. CD-quality WAV files use 16-bit samples at 44.1 kHz stereo, while professional workflows routinely employ 24-bit or 32-bit float samples at rates up to 192 kHz. A major advantage is zero-loss fidelity: because standard WAV applies no compression, the stored data is an exact digital representation of the original recording, making it the preferred choice for mastering and archiving. WAV also supports embedded metadata through INFO and BWF chunks, enabling timestamping and production notes. The main trade-off is file size — one minute of CD-quality stereo occupies roughly 10 MB — and the 32-bit RIFF structure imposes a 4 GB limit, though RF64 removes that ceiling.