VQF to OPUS Converter

Upgrade dead TwinVQ to cutting-edge OPUS online

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Settings

Set the Opus audio bitrate per channel. If set to "Custom", the Opus audio codec supports up to 256 kbit/s per channel with a recommended range of ≥64 kbps.
Set the number of audio channels. This setting is most useful when downmixing channels (e.g., from 5.1 to stereo).
Set the sample rate of the audio. Music with a full spectrum (20 Hz — 20 kHz) requires values not lower than 44.1 kHz to achieve transparency. More info can be found on the wiki.

vqf

VQF is the file extension for audio encoded with TwinVQ (Transform-domain Weighted Interleave Vector Quantization), a lossy compression technology developed by NTT (Nippon Telegraph and Telephone) in 1994 and later commercialized by Yamaha under the SoundVQ brand. The codec claimed a 30 to 35 percent size advantage over MP3 at equivalent perceptual quality — a 96 kbps VQF file was said to match a 128 kbps MP3 — generating considerable excitement during the late-1990s format wars. TwinVQ supports constant bitrate encoding at 80, 96, 112, 128, 160, and 192 kbps, and the underlying algorithm was incorporated into the MPEG-4 Audio standard (ISO/IEC 14496-3) as one of its defined object types. Despite strong technical merits, VQF never achieved widespread adoption: encoding was slow compared to MP3, hardware player support was scarce, and the proprietary licensing discouraged third-party development. In 2009, the FFmpeg project reverse-engineered the TwinVQ decoder, bringing playback support to VLC and other open-source players. VQF stands as a notable case study in codec history — technically ambitious yet eclipsed by MP3's ecosystem momentum and the later rise of AAC.
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opus

Opus is a versatile, open audio codec standardized by the IETF as RFC 6716 in 2012. It fuses two coding approaches — SILK for speech and CELT for music — into one algorithm that blends between them based on content type and bitrate. This hybrid design lets Opus outperform virtually every other codec across a wide range of uses: low-latency voice at 6 kbps, high-fidelity music at 128 kbps, and everything in between. It supports bitrates from 6 to 510 kbps, sample rates up to 48 kHz, and frame sizes as small as 2.5 ms, giving it the lowest algorithmic latency of any mainstream audio codec. Three advantages make Opus especially compelling. It is completely royalty-free and open-source, removing licensing barriers that hold back proprietary codecs. It achieves transparent quality at roughly half the bitrate of MP3 and beats AAC at equivalent rates. And its low latency makes it the mandatory codec for WebRTC, so every modern browser ships with an Opus decoder. WhatsApp, Discord, Zoom, and YouTube all rely on Opus for real-time audio.
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State-of-the-Art

OPUS is the codec VQF dreamed of becoming — better than MP3, universally adopted, and actually supported.

Past to Future

Move from the late 1990s dead-end format to the cutting-edge codec used by Discord, YouTube, and Wikipedia.

Privacy Protected

VQF uploads are erased after conversion. OPUS results are deleted within 24 hours.

How to convert VQF to OPUS

1

Select files from Computer, Google Drive, Dropbox, URL or by dragging it on the page.

2

Choose opus or any other format you need as a result (more than 200 formats supported)

3

Let the file convert and you can download your opus file right afterwards

About formats

VQF is the file extension for audio encoded with TwinVQ (Transform-domain Weighted Interleave Vector Quantization), a lossy compression technology developed by NTT (Nippon Telegraph and Telephone) in 1994 and later commercialized by Yamaha under the SoundVQ brand. The codec claimed a 30 to 35 percent size advantage over MP3 at equivalent perceptual quality — a 96 kbps VQF file was said to match a 128 kbps MP3 — generating considerable excitement during the late-1990s format wars. TwinVQ supports constant bitrate encoding at 80, 96, 112, 128, 160, and 192 kbps, and the underlying algorithm was incorporated into the MPEG-4 Audio standard (ISO/IEC 14496-3) as one of its defined object types. Despite strong technical merits, VQF never achieved widespread adoption: encoding was slow compared to MP3, hardware player support was scarce, and the proprietary licensing discouraged third-party development. In 2009, the FFmpeg project reverse-engineered the TwinVQ decoder, bringing playback support to VLC and other open-source players. VQF stands as a notable case study in codec history — technically ambitious yet eclipsed by MP3's ecosystem momentum and the later rise of AAC.
Initial release: 1996
Opus is a versatile, open audio codec standardized by the IETF as RFC 6716 in 2012. It fuses two coding approaches — SILK for speech and CELT for music — into one algorithm that blends between them based on content type and bitrate. This hybrid design lets Opus outperform virtually every other codec across a wide range of uses: low-latency voice at 6 kbps, high-fidelity music at 128 kbps, and everything in between. It supports bitrates from 6 to 510 kbps, sample rates up to 48 kHz, and frame sizes as small as 2.5 ms, giving it the lowest algorithmic latency of any mainstream audio codec. Three advantages make Opus especially compelling. It is completely royalty-free and open-source, removing licensing barriers that hold back proprietary codecs. It achieves transparent quality at roughly half the bitrate of MP3 and beats AAC at equivalent rates. And its low latency makes it the mandatory codec for WebRTC, so every modern browser ships with an Opus decoder. WhatsApp, Discord, Zoom, and YouTube all rely on Opus for real-time audio.
Initial release: September 11, 2012

Frequently Asked Questions

Why convert VQF to OPUS?

OPUS is the most advanced lossy codec — it is what VQF tried and failed to be in the 1990s. Universal support, superior quality.

What supports OPUS?

Chrome, Firefox, Edge, Android, VLC, Discord, and most modern applications handle OPUS natively.

How efficient is OPUS?

OPUS at 128 kbps matches MP3 at 256 kbps — dramatically more efficient than the dead VQF codec ever was.

Is there quality loss?

Both are lossy — re-encoding involves some generational loss. OPUS at moderate bitrates sounds excellent.

Is it secure?

VQF uploads are deleted immediately. OPUS results are removed within 24 hours.